Scroll To Top

The Artist

An intensive quest and constant search for new and unconventional ways to express music determines the artistic vita of German pianist Andreas Woyke.

His education has been shaped by various international influences - the Argentine pianist Aldo Antognazzi taught him in Siegen. In Cologne and Vienna he studies with the russian pianists Pavel Gililov and Rudolf Kehrer. That time he won a number of international prizes: 1st prize at Brahms-Competition Hamburg, 1st prize at Austro Mechana in Vienna and 2nd prize and recital prize at UNISA Transnet competition in Pretoria.


Andreas Woyke has been performing already at important concert places of the world, i.e.: Musikverein und Konzerthaus Wien, Townhall New York, Sala Sao Paulo, Philharmonie im Gasteig München, Philharmonie Köln, Tonhalle Düsseldorf, Beethovenhaus Bonn, Radiohuset Stockholm, Tschaikowsky-Konservatorium Moskau, Kennedy Center Washington D.C., South Africa State Theatre Pretoria, Teatro Municipal Viña del Mar, Oriental Arts Centre Shanghai (Location in Simon Rattle's "Trip To Asia"). His collaboration with famous artists as mezzo soprano Christa Ludwig, the actors Julia Stemberger and Wolfram Berger or author Michael Krüger had a significant impact on his artistic personality as well as his work with conductors like Joao Carlos Martins (Bachiana Filarmonica Sao Paulo), Kazushi Ono (Staatskapelle Karlsruhe and Zagreb Philharmonic), Heribert Beissel (Klassische Philharmonie Bonn), Gerard Korsten (Transvaal Symphony), Pál Molnár (Baden-Baden Philharmonic), Rolf Agop, Volker Wangenheim and many others.

Andreas Woyke crosses borders. Composing and mprovisation is a very meaningful part of his life. On his Solo-CD „Braiding Bach (Ars, 2008) he combined piano works by Johann Sebastian Bach with his own compositions. In these strongly jazz-inspired sound images the improvising element shows as important effect as in the baroque ornamentation of Bach's sarabandes. Both free and conceptual improvisation such as “Acconci-Island”, inspired by the Mur Island in Graz, and his fusion jazz band “D’yamba”, founded in 2003, underline the profound significance improvisation has in his life. Woyke is open minded for any styles like rock, jazz-rock, funk, soul, ethno or house as well as the classical epoques and ancient music.

In his live concert programs he strives for improvisatory momentum as well. In solo concerts he is building improvising bridges between classical works and his own compositions and jazz. He also improvises or composes the cadenzas in classical piano concertos himself. Mozart’s in part sketchily composed Coronation Concerto, for instance, he refreshingly created a unique rearrangement of the work, which differs strongly from the well-known and widely played version of Mozart’s contemporary André..


Chamber music and accompaniment of singers is a fixed part in Woyke's activities as well. Since the spring of 2003 he has been collaborating very successfully with the vibrant cellist Friedrich Kleinhapl. The duo is performing all over the world and a number of CD-recordings have been published with Ars-Produktion. For their recording of the sonatas by Dimitri Schostakowitsch they have been rewarded with the Pasticcio-Preis of the ORF, Vienna, the CD with the sonatas by Rachmaninov and Franck recieved the Supersonic Award and their two recordings of all Beethoven-sonatas including their own transcription of the tenth violin sonata has been honored with the renowned Excellentia Award 2009 and 2010. Their CD "Pasión Tango" with tango compositions by Astor Piazzolla, José Bragato, Jacob Gade and Carlos Gardel received the supersonic award shortly after release in 2014.

Andreas Woyke currently works as a freelance concert pianist living in Graz and teaches piano and chamber music at the Universität für Musik und darstellende Kunst (university for music and the performing arts) there. He gives master classes in the whole world like Europe, the US, Brazil, China and Japan.

Andreas Woyke is a constantly searching artist. Grown up as classical pianist he opened his mind with growing curiousity and frankness to diverse musical styles – jazz at the first place but also rock, soul, funk or ethno. These influences are the source for his own compositions which become more and more part of his classical concert recitals. However, he always kept loyality to classical music with all it's epoques. He likes to combine works of one or more classical composers with own compositions and jazz and to let the audiences experience a completely new adventure of listening music by the particular effect of both components to each other.

„I strongly believe that we listen to 200 or more year old music different today than the people of that time. This is because our ears are already used to newer music like modern classical or other modern styles. At the same time our „tools“ have developed. Of course, there are still historical instruments that give us the opportunity to interprete music from Bach or Mozart like it probably sounded in their time. But today we have modern instruments as well – like the modern concert grand piano and of course the endless variety of electronic instruments like sythesizers – that open completely new perspectives for us in our attitude to music which is timeless in it's basic essence.

In the Mozart-year 2006 Woyke performed the project „Mozart and Jazz“, in 2007 a recital program from Bach to Brahms – also combined with his own music. In his project „The Four Elements“ each piece of Brahms' op. 119 is anticipated by an own improvised introduction by Woyke. On his Solo-CD „Braiding Bach (Ars, 2008) he combined piano works by Johann Sebastian Bach with his own compositions. 2009 he designed a recital program due to the Haydn-anniversary with Sonatas and Variations by Joseph Haydn and his own compositions.So did he with Liszt in 2011 and with classical and romantic composers 2012.


Andreas Woyke's conventional classical repertoire is consisting of works from Baroque until Moderne. There might be preferences for certain works but Woyke has always put his work into the service of versatility. This is concerning his choice of works as well as categories. Woykes repertoire consists of piano solo, concerts and works with orchestra, chamber music and songs.




Own Compositions, Improvisation, Jazz "Most composers had been outstanding improvisers: Bach improvised in church, Beethoven gave improvising recitals. Asters of improvisation in our time are Keith Jarrett, Chick Corea, Herbie Hancock, Cecil Taylor – among many others.“

Particularly Keith Jarrett's style in its clarity and his ability to create a universe out of a little motif – such as a chord or a melody – has a very inspiring effect on Andreas Woyke. Bands like the Pat Metheny Group (with pianist Lyle Mays) or the Al Di Meola Project gave Woyke many impulses – especially concerning the almost classical complexity of their compositions.


Woykes works can only partially be considered as compositions because he is not writing them down note by note. The notation is more similar to that of a jazz-standard that usually shows a melody and chords and leaves space for improvising. They have a basic harmonic structure but apart from that they stay flexible and can – similar as in jazz – change by time. A good example for this is „Acconci Island“ - composed 2003 for Graz Cultural Capital Of Europe and showing the process of building the island in the Mur river by Vito Acconci.

2003 until 2004 Woyke performed also with his Fusion-Band „D'Yamba“ - founded together with guitarist Manfred Temmel – and brought in a number of compositions for this band.



Andreas Woyke's conventional classical repertoire is consisting of works from Baroque until Moderne. There might be preferences for certain works but Woyke has always put his work into the service of versatility. This is concerning his choice of works as well as categories. Woykes repertoire consists of piano solo, concerts and works with orchestra, chamber music and songs.

Soundtrack: Beethoven-CD

Soundtrack: Mendelssohn-CD



Selected Video-Clips performing during last years

Improvisation- Andreas Woyke

Andreas Woyke - Play Bach

Beethoven Sonate op- 69

Libertango - Maresch-Konzert 2008

Piazzolla: Oblivion - Barcelona

Piazolla - La Muerte del Angel - Barcelona

Volksanwaltschaft Festkonzert (1)

Volksanwaltschaft Festkonzert (2)

Volksanwaltschaft Festkonzert (3)

Beethoven Klavierkonzert Nr. 4

Primavera Friulana - Andreas Woyke

After Sunset - Andreas Woyke






the creative summer break is reaching it’s final phase and a lot of interesting new projects are scheduled.

The Russian Philharmonic Orchestra „Klassika“ conducted by it's chief conductor Adik Abdurachmanov will come to Austria for guest performances once again. And it is my pleasure to perform together with them as a soloist once more. This time I am going to play Mendelssohn’s double concerto together with Russian violinist Ksenia Dubrovskaya in Leoben and Graz. Once again, the concert in Graz will take place in cooperation with the Rotary clubs Graz-Umgebung-Nord and Graz-Süd. In this concert I also will perform some of my piano solo compositions.

Felix Mendelssohn: Concerto for piano, violin and string orchestra (1823)
Andreas Woyke: piano solo compositions
Andreas Woyke, piano
Ksenia Dubrovskaya, violin
Russian Philharmonic Chamber Orchestra „Klassika“
Adik Abdurachmanov, conductor
Tuesday, October 3, 2017, 7.30 p, LEOBEN (A), Stadttheater
Wednesday, October 4, 2017, 7.30 p, GRAZ (A), Stefaniensaal
Tickets: ,

Pasión Tango, the program Friedrich Kleinhapl and myself are successful all over the world with, will be presented in new shape in Vienna shortly after: Pasión Tango - The Story. Featuring renown actress Mercedes Echerer the program will be expanded by exciting texts connected with the composer, written again by Heidrun-Maya Hagn. A thrilling new adventure for performers and audience!

Wednesday, October 11, 2017, 7.30 p
in cooperation with Lionsclub Wien-Excelsior
Piazzolla, Gade, Gardel, Bragato
Andreas Woyke, piano
Friedrich Kleinhapl, violoncello
Mercedes Echerer, recitation
Heidrun-Maya Hagn, texts

Musiksalon Erfurt in Herrengasse Graz has been organizing concerts in familiar 19th-century-ambience since many years with heartful engagement. Commemoration to main initiator and dear friend Heidi Wigand, who succumbed to her short and severe disease this February, will be in the center of a special concert together with many renown musician colleagues. In Heidi's spirit we similarly will celebrate the anniversaries of her mother, composer Zerline Erfurt, and the Musiksalon itself.

Saturday, October 14, 2017, 7.30 p
Heidemarie Wigand (2017/02/04), Zerline Erfurt (110th Birthday), Musiksalon Erfurt (15 years)
Works in different lineups by Zerline Erfurt
Andreas Woyke will play the sonata and the fragment of an impromptu that he will finish improvising.
GRAZ (A), Musiksalon Erfurt

Two weeks later Friedrich Kleinhapl and I will start an extensive duo tour to the US and Canada performing some of our theme programs and musical-literal programs. Detailed information will follow in my next news.

Sonorous greetings,
Andreas Woyke


Keine Daten zum Anzeigen
All events


I am pleased to hear from you.

Send message



Bildquellen: Alle Photos © 2003-2009 by Christian Jungwirth,, "Sacile", "woyke_fazioli_sacile" © 2008 by Robert Zehetleitner", "piano" © by, Christine Kipper,, Sebastian Patter,,

Textdateien: © 1999-2017 by Andreas Woyke. All rights reserved

Übersetzungen ins Englische: so weit nicht anders vermerkt: Ki Woyke, David Heitler, Andreas Woyke


Hiermit distanziere ich mich ausdrücklich von allen Inhalten aller gelinkten Seiten auf meiner Homepage und mache mir diese Inhalte nicht zu eigen. Diese Erklärung gilt für alle auf dieser Website angebrachten Links. Die bereitgestellten Informationen auf dieser Web Site wurden sorgfältig geprüft und werden regelmäßig aktualisiert. Jedoch kann keine Garantie dafür übernommen werden, dass alle Angaben zu jeder Zeit vollständig, richtig und in letzter Aktualität dargestellt sind. Dies gilt insbesondere für alle Verbindungen ("Links") zu anderen Web Sites, auf die direkt oder indirekt verwiesen wird.

Keine Daten zum Anzeigen